Thursday, February 24, 2011

The Cake, The Cake

I can’t tell you where it’s going, I can’t tell you whom it’s for. I’ll tell you this: It’s a cake, a three-tiered creation with beautifully crafted designs on each level. It’s for a special birthday, for an incredible person, but you’ll just have to take the call to find out. It wouldn’t be fun if I told you. Just have your cab radio on and be in the vicinity of 3rd Avenue and St. Mark’s Place around 7:30 for a pickup, OK? And don’t ask where it’s going, just take the call.

Thus spoke my friend Steve, who was currently baking healthy desserts each evening at the Ananda East Bakery a few blocks south off St. Mark’s Place in the East Village.

He knew I drove a cab at night and that the company I drove for had a two-way radio system, thus enabling a driver to pick up fares that were phoned in. “Just believe me, it will be a gas, a certain group of people will truly envy you,” Steve said to me that morning on the phone. He went on, “I know that the Ananda East Bakery has an account with your cab company and they’re going to call it in around 7:30, so just be near St. Mark’s Place, OK?”

I then asked Steve, “Why don’t I just come into the bakery and pick up the cake before you need to call it in?”

“Oh no, no, you can’t do that, it’s a secret. The whole thing is a secret and a surprise, so no one outside the bakery is allowed to know.”

On the evening of August 1, 1970, I made sure that my body and my cab were as one and at St. Mark’s Place and 2nd Avenue at 7:15. The call actually came early. “We need a cab to take a birthday cake from the Ananda East Bakery over to Ding Batz Bar in Brooklyn.” I hesitated as I reached for the receiver. Ding Batz was a biker bar all the way out in Bay Ridge. Unless I was willing to work the clubs (and it was still on the early side), I’d have to deadhead it back to the city. Recalling Steve’s excitement inspired me to pull down the hammer on the radio and take the call. The folks at the bakery were amazed that I was just around the corner. As fate would have it, it was my friend Steve who handed me the cake at the counter. The cake was all wrapped up in a box that was well over three feet high.

“Hi man,” I said to my friend, pretending I had never seen him before. “Hey, who’s the lucky person to receive this?”

Steve smiled and replied, “You’ll find out when you get to Ding Batz.” They gave me a twenty, which was generous as the fare was to be somewhere between ten and twelve dollars, and I was not intending to throw the clock with a cake sitting on the front seat. Steve gave me a wink when I picked up the cake.

As I was exiting the bakery a very tall man with a long gray beard escorted me to my cab. He was the head baker and the creator of tonight’s special dessert and wanted to make sure his masterpiece was as safe as possible for the journey across the water to Bay Ridge. He walked step by step with me until I reached the door of the cab. I opened the door, and we both carefully placed the cake between the front seat and the dash; it seemed very secure in that spot. As I was about to take off, the baker, who went by the name of Leon, leaned his tall and thin body though the passenger side window and gave me what could only be described as a short but somewhat spiritual “pep talk.”

“Remember, man, keep away from potholes, try not to turn too quickly, don’t run any red lights, and think positive thoughts about the cake and about everything, you dig what I’m saying to you?” He then nodded his head up and down until I nodded my head back and made eye contact. Making eye contact with Leon was easy as his were as wide as saucers. There was little doubt that Leon was (as they say in Ireland) “with the fairies.”

He took a breath and said, “Now brother, listen to me, man, you’re listening to me, right?”

I widened my eyes as best as I could and replied, “Yes Leon, I’m with you, man, I’m right here sitting in this cab listening to you.”

Leon continued, “When you’re stopped at a red light, take the time to, you know, look at the cake and send some good energy to it, love the cake, brother, love the cake, you dig? That cake is like my child; I worked two days on this beautiful confection and as I did I put as much love into it as possible, so please continue the love, OK? It’s got cardamom icing on it man what other cake ever created had cardamom icing on it? Oh, and another thing, don’t ‘beep, beep’ on your horn as it might send negative vibrations into the cake.

“Yes, Leon,” I replied. “I will love this cake right up to the moment I present it to this mystery birthday boy, I promise.”

Leon was now nodding my way in a very affirmative manner. “One last thing, brother, one last thing, then I let you start on your journey with my cake. What sign are you?”

“Aries with Leo rising,” I quickly replied.

Leon then smiled and said, “Yeah, me too, good thing you’re delivering the cake tonight because around midnight or so your Mars goes into retrograde and I’d never let anyone with an angry planet drive my cake to Brooklyn, you dig what I’m saying, man?” I nodded in the affirmative, and as I turned the key in the ignition, I thought it best not to tell Leon that I had a Gemini moon.

Leon reached into his breast pocket and handed me a joint. “Here’s for the ride, brother, happy trails, and keep that cake from moving around, OK?”

“I’m with you, Leon,” I replied as I gingerly placed the joint in my shirt pocket. I then rolled on through the Brooklyn-Battery Tunnel enjoying Leon’s gift as ships and the sea life of the East River floated gently above the cab, the cake, and me.

By the time my tires were rolling through Brooklyn, I was in a happy and elevated state. However, I soon became quite obsessed about the identity of this special birthday boy. As the cab and I rolled up 4th Avenue, I began to reflect—what kind of person would celebrate the day of his birth in a biker bar in Bay Ridge? A big important member of Hell’s Angels, perhaps Sonny Barger, who is the most hellish of the Hell’s Angels? No, no, a biker is not going to order a cake from the Ananda East Bakery, where they use all natural and organic ingredients and exotic spices like cardamom. No, this has to be some guy who is kind of a hippie and likes to hang out with bikers. Perhaps he’s a famous writer, Tom Wolfe or maybe Kurt Vonnegut. No, I bet he’s not a writer, maybe some off-beat hip movie star like Peter Fonda. Yes, he did Easy Rider and that was about motorcycles.

I then thought what a dumb move it was for Leon to give me that joint. I’m all alone in the cab, I’m high, I’m getting the munchies, and there are three feet of sweets gently rocking back in the passenger seat.

Perhaps, just perhaps, I’ll pull over and check this out and maybe, just maybe, put a little of that cardamom cream icing on my finger. How would anyone out at Ding Batz even notice a wee bit of missing icing? But then again they might, and a little bit of sweet is surely not worth a broken nose. However, I could see that the box was easy to open, so why didn’t I just pull over, I thought, and take a quick gander at this prized dessert?

Three blocks later I ever so gently pull into a gas station. I locked the cab and went to the men’s room and washed my hands until they were really clean, as I didn't want to leave any dirt on the box, especially on the inside.

I then returned to my cab, opened the passenger side door, and carefully unfolded the top of the box. I was parked under a bright light, and I could easily see the two top layers. It was absolutely stunning, and on each level were beautifully crafted roses, skulls, and teddy bears, and on the top it read “Happy Birthday Jerry.”

I had an instant satori moment right there in a gas station on 4th Avenue and 76th Street in Brooklyn. Steve was right, this was a major deal, and I was to deliver Jerry Garcia’s birthday cake to the man himself.

At this moment in time there were over 8 million people in the Big Apple, and on this tropical August night I was the chosen. Sensing my immense responsibility, I neatly closed the box and drove to Ding Batz.

There were Angels and Harleys everywhere as the cake and I gently traversed our way through the smoky sea of leather and chrome. I entered Ding Batz and announced that I had to deliver this directly to the birthday boy. I was led through more large men wearing leather until I was placed in front of Jerry’s table. They were all smoking joints and throwing back whiskey, and they all smiled when they saw the cake bearer arrive.

“Take it out and put it on the table, my man.” And I (with a little help from two large tattooed individuals) did just that. It was a one of a kind. Multicolored, multidimensional, and in three crafted levels. Leon was truly an artist.

Jerry and his friends were so loaded that they gave me the credit for creating the cake and they all just kept saying, “Out of sight, oh man, it looks too good to eat. Wow, out of sight, man, you know, oh man...”

I took it in and replied, “Oh well, you know, I’m just doing what I can for the universe, you know, wow, I’m so glad you like it. Wow, OK, out of sight, yes.”

It was quite dark and noisy in the back of the bar, and faces seemed to appear and disappear within all the smoke. I was so high and excited that I really couldn’t tell exactly which woolly-headed, bearded individual was Jerry Garcia, but I soon realized he was the one directly in front of me, the one with only four fingers on his right hand wearing a ratty black T-shirt with a pocket.

I soon caught the vibe that it was time for me to make an exit, but before I did Jerry smiled and said, “Hey, man, if we ever run into each other again, just say ‘The cake, the cake,’ OK, you know what I mean? Remember man, ‘The cake, the cake.’”

I nodded and I kept nodding as they stuffed a twenty and a few joints in my breast pocket and said, “See you later,” and off I went driving back into heart of Gotham, with “The cake, the cake” echoing in every ounce of my being.

Two years later I was in attendance at the first Rainbow Gathering in Granby, Colorado, where it snowed on the Fourth of July. We were eating granola, chanting, smoking, flipping out, flipping in, and flipping every which way we could. We all ate together, pooped together, swam together, and all got sick together. Seeing as how we had the runs and were throwing up a lot (although we all knew deep down inside we were healing) my friends and I decided to make an early exit.

We got up at 5:00 am on the last morning and hiked down the mountain to my little blue Volkswagen. Two miles outside of Granby, Colorado, we ran out of gas. It was 6:00 am, and four very dilapidated hippies were stranded in a blue 1963 Volkswagen on a very deserted stretch of road. We lifted up the hood to let any possible passing cars know we needed help. I had a gas can to point at as well, to let our hoped-for rescuer know just what type of aid we needed.

Fifteen frozen minutes later we saw a big white VW van ambling its way down the road. VW vans did very poorly in high altitudes, and this old clunker was going very, very slow. As it approached, we all started jumping up and down and yelling, “Gas, hey man, we’re out of gas.” And just to make sure the driver knew, we all pointed to the gas can. The van drew closer and we all became silent. Driving the van was a young girl who looked like she’d just stepped out of an R. Crumb comic. She must have been sixteen, with big woven braids, freckles, and a mouth full of braces, and sitting next to her, smoking a number was, yes, Jerry Garcia. I told all my friends to be quiet as I had this one in the bag.

As the van drew closer, Jerry rolled down the window, but the car didn’t slow down. “Don’t worry,” I told my friends. “I know just what to say.” I waited until the van was just about passing us and I yelled in a most audible fashion, “Jerry...the cake...the cake...the cake...the cake.” He smiled and flashed a peace sign and rolled on down the road.


A few cars later we were given enough gas to make it to Granby. We pulled into the parking lot and sure enough, I once again ran into Jerry Garcia. I made eye contact and said, “Jerry, didn’t you see us stranded by the side of the road a few miles back?”

“Yeah,” Jerry replied, “you guys were shouting something about a cake. I thought you might be a little dangerous or just too stoned to stop for.”

“Oh, no,” I replied, “I was the guy who brought your birthday cake to Ding Batz Bar in Brooklyn three years ago. Remember, man, ‘the cake, the cake’?”

After a few seconds of silence he replied, “I don’t think I’ve ever been to any place called Ding Batz. Hey man, I got to split, stay loose.”

As rock icon Jerry Garcia disappeared into a throng of devotees, I envisioned myself back in that gas station in Bay Ridge slowly eating all the skull rosettes and teddy bears off Jerry’s cake and enjoying every minute of it. “Someday,” I thought, “he’ll remember, and if not, I can always remember for him.”

Monday, August 30, 2010

Dancin' With Wilson



Lynchburg Virginia in 1967 was not a great place to be black. However if you were up on stage with a rack of brass horns, a throbbing bass line, a wicked guitar wailing away, and you were singing about the fact that you just “gotta have it”, you were loved.

In December of 1967 when Otis Redding died in a plane crash the one thousand students of Lynchburg College went into mourning. Most of them were dead set against any civil right legislation, but when it came to soul music, well that was a different story.

We drank a lot in college and that made soul music sound oh so good. And when we drank we would dance, and when we danced, we would only dance to rhythm and blues. Sam & Dave, Otis Redding, Roofus Thomas, Wilson Pickett, Marvin Gay and Martha Reeves they were our dance heroes.

While people our age were tripping out in California and fighting in the jungles of Vietnam we were drinking Bourbon and Ginger Ale and doing the “Monkey” and “The Funky Chicken to the music of Sam & Dave and Wilson Pickett.”

In February of 1968 word got out that Wilson Pickett would be performing just seventy-five miles west of Lynchburg at a little redneck school called Ferrum College. This was a major deal for all lovers of R&B as the big acts like Pickett usually only worked the larger cities.

Wilson Pickett was 26 years old at this time and at the peak of his career. Like many of the great soul artists Wilson came from the gospel tradition. He had initially worked with a group called The Falcons who were one of the first vocal groups to bring gospel into a “pop” context. After departing from The Falcons Wilson wrote a few minor R&B hits for small independent labels. In 1964 Pickett was signed to Atlantic records and in 1965 he broke into the charts with a song he co-wrote with guitarist Steve Cropper titled In the Midnight Hour.

I had a friend, Ron Monk, who was from southwest Virginia. Between his thick Appalachian drawl and my Brooklyn utterance we could hardly understand each other but we were buddies and we both loved Wilson Pickett. Ron had a sister, Edna, who attended Ferrum and she not only got us tickets to the show but also secured us with dates.

When the day of the concert arrived we were extremely excited. We picked up our three-piece suits from the cleaners, shined up our wing tips and put on our ties. On the way out of town we made an important stop at the Alcohol Beverage Control store to pick up our Bourbon. We had our own unique and original way of applying spirits into our bodies. We employed what we known a “drinking machine” which in a very real sense was an alcoholic bong.

It was shaped like an hourglass. In the bottom we would pour in ginger ale and in the top portion would go the Old Grand Dad or the Jim Beam. It was extremely efficient. Just when the shot of whiskey would become overwhelming, the ginger ale would kick in and quickly deliver the mixture of sugar and grain into one’s vessel. One drink would get the party going, two would alter the senses and three, well you just didn’t drink three shots out of a drinking machine.

We headed west on Route 460 in my pearl white 1959 Buick Skylark and quickly drove the 75 miles to Ferrum College. Before we picked up our dates we decided to have a quick go round with the drinking machine. After our short libation I asked Monk if he know where we were to meet the appointed women. Monk looked at me funny as he was lighting up a smoke and said “well Neal I wrote it down on a piece of paper and gave it to you before we left, didn’t I?” Already feeling the Bourbon kick in I replied “I remember the paper but the last place I saw it was on your desk in the dorm room.” We both gazed at each other in silence and realized we had no idea where our dates were. We stumbled to a phone booth and called Edna. Edna was not in a good mood. Apparently we were to show up at 2:00 to take our dates to a party, it was now 6:00 and just two hours before show time. “Well Ron” I overheard Edna say “you boys can get your sorry asses over to the Omega Nu Phi Delta Lamba frat house and see if Becky and Fran are still available but you know this is a big party night and you just might be too late.” Ron replied “but we have their tickets, they won’t be able to go without us, would they?” I could hear Ron’s sister laugh through the receiver as she said “Ron are you listening to me? There’s plenty of boys over at that frat with tickets and lots of booze, you know what I mean little brother?” Ron nodded as he hung the receiver up and said “let’s give it a shot, maybe they have a live band and some free food.”

There was a band and they were loud and everyone was dancing. We waited for the song to end, jumped up on a ratty old couch and announced that Neal and Ron have arrived from Lynchburg and were looking Becky and Fran. As the music was starting up again we heard a girl’s voice shout out from the crowed “you jerks are three Bourbons and ten songs too late.

We didn’t know if that was Becky or Fran but it didn’t matter. The music got louder and the entire room was doing this thing called “Dirty Dancing” which to Ron and I seemed like some type of South West Virginia mating ritual one in which we were surly not participating in. I turned to Ron and said “well shit what should we do now?” Ron took a drag off his Marlboro and replied “well at least we don’t have to worry about our dates, so lets eat some food and have another round from the drinking machine.” At that stage of the evening it sounded like a very logical idea.

We looked up at the clock and it was 7:30, we looked at each other and said “show time.” With Tennessee whiskey running through veins and food stains all over are now rumbled suits we proceeded to stumble and weave over to the auditorium for our date with Mr. Pickett. Before entering the concert we had one last taste of the drinking machine and we were ready to dance.

Wilson was smoking, he had a 12 piece horn section and they were all dancing in time to the music. He opened with his current hit “99 & a Half Won’t Do” and went right into “6345-789” and when he launched into his classic “In the Midnight Hour” everybody in the hall (which was the school gym) was up and dancing.

Being just two very inebriated men without any female companions Ron and I made our way up to the front of the stage. We then commenced to redifine the entire concept of The Boogaloo, The Philly Dog and The Funky Chicken.

Our inspired gyrations must have caught Wilson’s eye, for inbetween vairious na-na-na-na-na-na-na-na-na’s he looked down at us and pointed his long ebony finger our way and said “do you feel it, do you feel it?” We looked up at the almighty Mr. Pickett “Yes, yes, we do, yes, yes we do.” Wilson then screamed into the mic and said “then come up here and show it.”

We didn’t bother with the stairs. We hoisted ourselves up onto the front of the stage and after tripping over the moniters and a few mic cables we managed to right ourselves and started to dance on both sides of Wilson. Wilson was in the middle of “Land of A Thousand Dances” and as he sang out each dance Monk and I would try to do it. We might have gotton The Mashed Potatoes mixed up The Pony and the Alligator with the Watusi but we were holding our own. We were up there dancing with Wilson Pickett feeling the power of the horns, bass and drums pushing away at our backs.

When Wilson launched into “Mustang Sally” we figured our time was up but no one came to fetch us off stage so we kept right on dancing. It was hard keeping up with Wilson, as singing and dancing was his line of work. Halfway thgrough “Mustang Sally” Monk and I decided to do The Turtle. It was actually quite a simple dance. We got down on our backs and then kicked our arms and legs back and forth as it we were an upside down Teripen.

Without any warning Wilson then sequed into “The Funky Broadway” and we both jumped back into the bugaloo mode. We could tell Wilson was reaching the end of the set, he was grunting, “ugh I feel it, it feels soooo good, Lord have mercy, oh, hear me talking, ah-ow it feels so good.” He raised his arms up and said “help me boys, help me boys.” It’s funny how R& B musicians always seem to say everything twice. I got under one arm, Monk the other and we helped Wilson off stage. He then darted back on the stage, blew kisses to everyone and came back to where Monk and I were standing in our glowing post performance high. We had danced and sweated so much we were almost sober, but not quite. Wilson looked at us and said “you guys are a gas come on downstairs and I get you some cokes.”

Wilson brought us down to his dressing room (which was the gym looker room). “Hey help yourself to some sandwiches, pop, whatever you like, I got to jump in the shower and then jump on the bus.” Wilson talked to us as he undressed down to his boxer shorts, and as he was peeling off his clothes they were being picked up by his roadie and put in a bag.

Wilson was built like an athlete, he wasen’t a big man but he was tight all over from all that jumping around stage he did every night. Monk and I were almost tongue tied in his presence but the remaining Burbon in our system kept us talking. “So Wilson, where to next?” Monk and I asked at almost the same time. Smiling in just his boxes and soxs Wilson replied “Well we going north the Charlottsville, then across to Richmond, Washington DC, Philly and then to New York where I’ll be working The Apollo.”

Wilson dryed his sweat off with a beach towel. On the towel was pictured a verluptous black women in a bikini and an inscription that read “be my summer playmate.”

When Wilson was finished with the towel he let it drop down on the locker room bench. His roadie then said something about the shower on the bus, Wilson threw on a bathrobe gave us both a thumbs up and a wink and just like that he was gone.

A very short silence of 3 to 4 seconds followed, before we both grabbed opposite ends of the towel and pulled it tight. “Let go Yankee boy” Monk says “this is my home state and when a famous R&B player leaves a sweaty towel behind it belongs to me.” “No way” I said “remember whose car we came in Monk, and whose sister set us up with those lame dates.” At that moment we both let go and took a major tumble. I hit my lip on an open locker and it started to bleed, Monk hit his nose on the bench and it started instantly swelling. Monk’s got up and yelled “don’t bleed on the towel, whatever you do don’t bleed on the towel.” “Ok, ok” I said, lets sign a truce and agrre on it’s ultimate fate when we sober up.

We were sober enough to drive back to Lynchburg that night, Ron feel asleep with the towel tucked saftly in his arm. We knew what a treasure we had. Wilson Pickett’s towel with his real sweat on it. Sweat that transpired as he sung “Mustang Sally”, “In the Midnight Hour” and “Land of A Thousand Dances”.

The next morning Ron and I went down to the Tip-Top diner for buscuits and gravey and we took along a deck of cards. After a few buscuits and two cups of coffee we played five card stud for the towel and Ron won. He promised that wherever he lived I could come and visit the towel any time. We both agreed that it would never be washed.

I lost the towel but I’ll never loose the moment. The moment I jumped up on stage in a gym in Virginia I danced the night away with the Wicked Pickett and his rocking band doing that Funky Broadway.

Monday, May 17, 2010

Canary


With her long thin black fingers wrapped around her Kools she’d draw down hard on her cigarette enabling the smoke to quickly disappear through her lips and into her narrow frame. She’d then lift up her head and with one lengthy exhale she’d release it all out of our ninth story window. I was fascinated by how much paper she would burn on her smoke with just one inhale. It was magic to me. She would continue this ritual and as she did she would sometimes bob her head as if she was listening to a distant melody. I would sit near her and wonder as she stared out the window.

Sometimes when she would catch me peaking at her she would shake her head and say “don’t get any dumb ideas like stealing some of my smokes. I count em’ everyday honey and I would know if you took some. And I don’t think your parents would be too happy with their seven year old son if they know he was stealing their house cleaners smokes, now would they? When she would address me she would always point her long and bony index finger right at my eye level. She could be somewhat scary but I’m sure she never thought of herself that way. I would never disagree with Canary, I’d always shake my head yes and promised I would never put a cigarette in my mouth or adhere to whatever law she was laying down.

Canary would come twice a week to our red brick apartment on New York’s lower east side, to wash the floors, take out the laundry, do the dishes and vacuum the house. Her presence was always a welcomed sight to me as both my parents worked every day. When I’d arrive home from school she always had a sandwich ready and some milk. I loved how she greeted me “how you doing sugar, everything alright in the fourth grade? Did you learn something important today? Hey maybe someday you can help change this old mean world.”

I’d sit up on the table and she would keep working and talk to me as I ate. I only knew her as Canary and at that time in my life I imagined it was her first name. She was very long and very thin and had lines that told many stories as they ran up and down her face. The only thing I really knew about her was that she was around forty, had grown up in Alabama, had two children and lived in Brooklyn.

After setting out a little snack for me she would then draw up a chair in the living room and have her smoke while gazing out at the East River. I would quickly devour my sandwich and take my glass of milk and sit in front of the other window and we would both look out at the ships on the river and all the cars rolling across the Brooklyn and Manhattan Bridges.

In between drags we would talk a little, never about anything too important. Canary would sometimes say “this is some kind of view you have here, just look at all those cars going across the bridge.” We’d both enjoy seeing the Brighten Line subway make it’s way along the Manhattan Bridge. I’d would say “Canary the subway looks like a rolling snake as it rolls across the bridge, don’t you think?” She’d laugh and as she was drawing on her smoke reply “no honey it looks more like a big old dirty worm, you know what I mean?” And we’d both laugh. In the two years that Canary would come to clean my parents apartment that’s about as close as we would get.

Occasionally we would talk about television. Canary’s favorite show was the $64,000 question. “You know” she would always start as she pulled on her smoke “ I don’t think some of those questions are so hard, I mean I know some of them and so does my husband, do you watch that show?’ I’d nod and reply “oh yeah I think your right but it’s still a little hard for me.” “I know honey, it’s tricky but you’ll see when you get older it won’t seem that difficult. I’ll tell you though, I think something’s really funny about that show, I think they might be telling some of those contestants the answers before the show.” She would tell me that every week and every week I would just nod. She was somewhat disturbed when I told her that I wasn’t allowed to watch Disneyland. She would shake her head and laugh and ask me if my mother thought Mickey Mouse was too scary for me. “No” I’d reply “she says Walt Disney was unfair to working people and he never hired any Jews so we were not allowed to watch the show. “Well I never heard anyone say that before honey and anyway who cares what he thinks you just want to have fun, ain’t that right? I mean you just can’t stop people from thinking, it would be like trying to push a river uphill?” I somehow knew that Canary’s logic made sense but at the same time I knew it wouldn’t change my parents mind. The conversation would always end with Canary letting me know that if I wanted to come to Brooklyn I could watch Walt Disney at her house.

One day just a few months before my family moved away from the lower east side there was a crisis. I would sometimes allow my parakeets out of their cage and let them fly around my room. That afternoon I made the mistake of leaving my bedroom door open just enough to allow a little blue and white bird to escape into the living room. It landed on the couch in the living room and fortunately all the windows were closed. I could hear Canary in the kitchen washing dishes in the sink. I thought of calling to her to help me catch my bird but I was sure I could catch it myself. I crept ever so slowly to my pet and just as I put my hands on the sofa she took off and headed into the kitchen.

I quickly ran over to the entrance to the kitchen and as I did the bird flew around Canary and headed for the window, which was open at the bottom at least five inches. As the bird approached the glass it somehow flew up and then managed to get itself stuck between the lower window, which was raised up, and the rear window, which was lowered down a few inches. And there it struggled, frantically flapping its wings, trapped by a pane of glass on each side of it’s trembling body. If it were to make it’s way down it would fly away and if the rear window were moved up the bird would be crushed.

I started to cry and I grabbed Canary’s forearm and pleaded her to help save my parakeet. It was the first time I had ever touched her. “Please Canary” I said over and over again in a voice that was somewhere between panic and despair “please help, please help Sylvester to get out of the window.”

Canary then said “the first thing you got to do is let go of my arm. You’re not going to help your little bird by squeezing me half to death. The second thing is that you need to do is calm down. The bird is scared enough, look just look over there at the poor thing. Look at it struggle, don’t make it any more nervous by you being crazy ok, you hear what I’m saying?”
I nodded in the affirmative, let go of her arm and backed away from the window. Canary slowly approached the glass, put her long thin hand and arm down through the top and as she did she pulled the front window towards herself as best as she could. Fortunately the entire window and frame were very old and there was just enough give for Canary to perform her miracle. She managed to get her hand under the now exasperated bird and in one smooth motion lift it to the top of the window and back into the kitchen.

She quickly shut the window and in a few minutes I managed to catch Sylvester and place her back in the cage. When I came back into the living room I was still crying. Canary bent down on her knees and said “come here baby and let Canary give you a hug” I made my way over to her and as she held me she said “just be careful with that bird, their so small and so delicate, you know what I mean, baby, you know what I mean?” All I could do was to cry and hold on.

It was the only time that I could remember anyone holding me in that apartment.

In the last few months before we moved, Canary and I assumed our usual places. She would take her break and look out the window and while she smoked and I would sit in the big brown cozy chair read my book, look out the window and talk about school with Canary. I would sometimes wonder what it would be like if she was my mother. Although she always remained a mystery to me I always felt safe around her.

My mother would give her clothes to take home for her children and sometimes offer her food as well. Canary was always polite about the food, but I could tell that the dishes my mother created somehow disagreed with her southern sensibilities.

One morning my mother and I took the subway to Brooklyn. Since my mom didn’t drive we had to leave very early to meet my aunt in Bayridge for lunch. As the express train sped through Hoyt Street Station I looked through the window and noticed the platform was filled with at least a hundred woman and they were almost all black. Many of them wore those white stockings, just as Canary did when she would come to our house. I asked my mother if the women on the Hoyt Street platform were on their way to clean houses. She nodded yes and then I wondered if Canary had been standing there as well. They all stood there so motionless, except for their clothes, which moved ever so slightly from the wind of the speeding express train.

In July of 1958 my parents, my brother and I packed up our things in preparation for our move to Brooklyn. My mother told me to leave anything I didn’t want and she’d give it to Canary for her children. Along with some shirts and pants I put my old tattered baseball glove in the box as an uncle of mine had just bought me a new one. I then realized I might not see Canary before we moved so I wrote her a short note, which read: Dear Canary, thank you for saving Sylvester we will both miss you I hope you son like the baseball mitt. I then put the note in an envelope and placed it in the box with the clothes and my old glove.

I would always look for her when I was on the subway passing through the Hoyt Street station. I never saw her again.